Friday, April 16, 2010

DSLRs or prosumers-a revelation for newbies

I am really struck by some current discussions about point & shoot cameras... on a Davao City(Philippines) photography forum. I am an avid prosumer(point & shoot) camera user... and some people are a bit up tight about sensor size. One particular member(I wouldn't disclose his name...it would be rude) keep on coming with really strong opinions about point & shoots...that they are so inferior over his DSLRs. I am not denying that the DSLRs are superior but I wouldn't say either that prosumers are just that horrible. I use various different cameras and I do have quite a few of these prosumer cameras...I use them for fine art photography. I would never compromise my quality of work and I would be glad to show you some of my fine art prints created with these types of cameras. It is so easy to judge a topic with no serious experience...an opinion based on ignorance, an opinion that's not much of a valid reasoning. Here's some of my insights regarding this subject... based on real use and an extensive print collection both in my home and collector's walls. This is a real life application of such "inferior cameras"... the non DSLRs or prosumer cameras.

Prosumers would be also known as bridge camera...or some refer to it as hybrids... people might call it different names but these are cameras with manual controls and a good quality built in optics(non interchangeable). These are very popular about 5-9 yrs ago because of the introduction of 4-5mp digital cameras that people jumped into digital photography. These cameras was just as much as one SLR lens...so it was a no brainer to buy it to learn photography. DSLRs at those time were prohibitively expensive(2001-2003)...only real pros and really rich hobbyists can get their hands on them due to the cost. So a lot of would be photographers embraced the concept of prosumer cameras, its just like buying a lens for an SLR and you get a full camera. Prosumer cameras was an old concept even existing during the film days. The trade offs in quality over an DSLR was huge...way noisier images, artifacts can be seen quite easily and of course this was ignored because of the price difference over DSLRs. Serious photographers still stayed shooting with their 35mm SLR due to the superiority in quality...and to them sacrificing sheer quality over convenience wasn't an option. For most hobbyist...and newer batch of photographers the prosumer cameras would be a God sent.

I also started learning photography with a prosumer 4 years ago... it was the Sony DSC-F717, which I still have and certainly wouldn't sell. I bought my DSLR a few months after, my first DSLR was the Olympus E300 and a month or so later upgraded to the professional Olympus E1. I still used my Sony F717 quite extensively...then I added the Sony R1 not long after and I got hooked on my Olympus C-series prosumers(C5050, C5060, C7070 and the C8080) and the Sony F-series(F707, F717 and the F828). I tried and still use other brands of prosumers cameras...the Minolta A1 and the Z3...Canon Pro1 and G10... Panasonic LX1, LX3.... I regularly bring a camera everyday and I can't keep bringing my full DSLR kit.

I only kept the best of my prosumers... the whole Olympus collection, the Sony and Panasonic cameras are still regularly used and I recently added the Sony V3, Fuji E900 and Fuji S9000. I love the bargains you get with these prosumers...since most people are stuck with the DSLR mindset, they sell their beloved prosumers for cheap... like the Fuji S9000 which sold for $900 CAD when it was new...I bought for $270, which is CHEAP! Or the Fuji E900 that was selling for $700 CAD now I bought for $140.... I bought both cameras for the ability to use AA batteries and their amazing photo quality. It is really a no brainer if you are in the market now to buy the older units... why? Because they are cheap and their image quality is not far off the recent breed of digital cameras.

People would really argue with me that the "old technology" is inferior... but just test them out yourself. I bought a Canon G10 and still preferred my Olympus C5050 despite the 3 times the megapixels(14.7mp against 5mp). I actually print my photos...I have over 2 thousand prints in my home, its the only way I know to truly appreciate a photograph. I do have a newer prosumer the Panasonic LX3, but this is an exception... this camera can produce prints easily matched to my DSLRs(upto 400ISO).

I am very picky with my cameras because I don't want to be stuck on a situation that I need to capture the moment and my camera is just not capable enough. I love my prosumers because I can just sling it around my neck and off I go for the full day...no heavy bags to bring. Some of these cameras even fit on my jacket... so very convenient. Believe me these cameras can produce fine art prints...as long as you know its limits. Some actually render certain elements really nicely...for example my Sony F828 gives me the best Sun burst effect, perfect rays of light... My Panasonic LX1 and LX3 gives me the best black and white photographs I've seen from my prosumer cameras. I sell fine art prints and I can't really present my work and tell the clients I can only produce that up to an 8x10" because its an inferior image. All my cameras can produce at least a 12x18" fine art print... people can raise their eyebrows but I have prints to show. These cameras do have their weaknesses and you as a photographer/artist should be able to use it up to it's capabilities. Never ever push them to their limits...it will show very quickly. Most of these cameras I use on their base ISO to produce larger prints, I have prosumer images sold as framed 36x24" fine art print. This is a combination of good technique and careful print preparation.

Then here's the reality of these prosumer cameras... I WILL NEVER COVER A PAID ASSIGNMENT WITH IT....well except for the Sony R1 which has a APS-C size sensor. Yes this is the other part of the story...which a lot of DSLR shooters are waiting for me to admit. A paid event such as weddings...concerts...or even portraits should be done with a DSLR. As much as I love my point & shoots and no matter how capable they are, the reality is that DSLRs just gives you that total control and the choices of different focal lengths and larger aperture to make your job so much easier. I have covered some events with a prosumer camera and the images turned out quite well but the amount of technique to wing through the night was exhausting. I loved the challenge and indeed my Sony F717 produced amazing images but the compromises can be too much... with my Sigma 30mm F1.4 I can shoot at lower ISOs and have more creative control on the photo. But in fairness the Sigma cost 3 times as much as a used F717...and that's just the lens...my Olympus E3 is another 8x as much as a used F717. So if I start comparing the cost of my professional kit...7-14mm f4, 14-54 f2.8-3.5, 50mm f2 and the 50-200mm f2.8-3.5...and 2 E3 bodies and some flash units... its certainly night and day. Yes my professional kit will yield better images...and I can offer way more perspectives and unique angles but it is over 30x as much as a used Sony F717. To my DSLR camp readers... this is really an off the mark comparison and should also take account the reality that people pay me to document these events. If I was just a hobbyist and have no intent of making money in photography... why invest on a full kit or even a partial kit?? Prosumer cameras are more than just good enough... they are more camera than most of us will need at most times.

Why am I comparing the Sony F717 in particular?, simple it is one of the best non DSLR camera I have used and continue to use. I have 16x20" fine art prints from this camera and the older F707...and the gorgeous f2-2.4 35-190mm Carl Zeiss Vario-Sonnar lens is one sharp optic. And this is even a push to the limit since this camera is ancient in digital camera years, part of the reason you will get amazing deals for it(not if you are the one selling....but why sell?).

I am a professional photographer and my clients deserve consistency of my work, this is the core reason I am lugging my pro-kit with me. I can't deny the fact that my Olympus DSLRs blows-away any prosumer cameras I have... I am referring to the ability to use my Sigma 30mm F1.4 lens and the slew of other unconventional focal lengths I can use...one of my ultimate favorite lens is my Zuiko 7-14mm f4...which I can go to a small room or even inside a limo and I can still offer full body images. The advantages of a DSLR system is undeniable but so is the reality of the cost of building a good system. Personally I wouldn't trade my prosumers for an entry level DSLR with a kit lens(ex: Nikon D40 or D60)...why? Because I can have way more flexibility in a built in lens of a prosumer camera such as a Sony V3 and the Sony can produce sharper images at ISO800 despite the noise. The Sony F717 is way more fun to use over these entry level DSLR... the gorgeous Carl Zeiss optic is near impossible to compare to a kit lens, it is tack sharp and super fast...translating to more photo creating capabilities. A DSLR system is way better than a point & shoot only if you will devote the money to build the "kit"...buying good lenses which cost way more than even a new prosumer camera like the Canon G11 or Panasonic LX3. And each good lens is like buying a new camera...so the more you add to your system the thinner your wallet becomes... then ask yourself is it worth it? Its the lenses that gives a DSLR it's upper hand, to buy a DSLR body and just settle with the kit lens is defeating the advantages it has.

Photography is all about the vision and the camera is just a tool to bring those visions to life. A good photographer can convey these images even with a disposable camera...but guys and gals we are talking about way more sophisticated cameras here. A professional equipped with a good point & shoot/prosumer can whip out images that make you appreciate it with it's content and not of what camera was used. A few names to mention would be high profile photographers... Alex Majoli, Ken Duncan and Michael Riechmann they use prosumer camera images in their portfolios and in real assignments.

So what's the bottome line???? It's ultimately up to you... how much you like to "invest" in your new hobby?... what's your ultimate goal in this new hobby?... If money is no object then by all means go with a DSLR with good or pro lenses... and if you aspire to be a professional then by no slight sliver of hesitation, build your DSLR system. But if you will be so cheap and just buy the body and buy kit/entry level lenses...trying to save money and in my humble opinion you really would probably be better off with a camera like a Canon G11... Panasonic LX3 or buy older good prosumer camera. This way you can save up more if you do realize that you love photography that much. With a fix lens camera... you can learn to appreciate photography, learn techniques while not heavily invested on a DSLR system.

If I was strictly a hobbyist... my camera of choice would be the Olympus C7070 or the Sony V3, both I currently use for fine art and street photography.

But that's just me...

Wednesday, April 14, 2010

A Walk Around

Just another walk around prosumer camera... I love my prosumers... here's some photos to show why.






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Tuesday, April 13, 2010

Event Photography with Sony "prosumers"



Event photography is the most challenging field of photography... this includes weddings...concerts...and various parties. I usually have my Olympus E3/E1 bodies with my Sigma 30mm f1.4, Zuiko 14-54mm f2.8-3.5 and 50mm f2 macro, Olympus FL50/FL36 flashes for these type of shooting. I use my prime lenses primarily for those large openings to gather light and couple them with my flash unit for added versatility.

During the summer of 2009... I was one of the few photographers with the media access pass to the Folklorama performances. One night I got a call from a fellow Folklorama photographer to cover the Ukrainian performance...he said it starts at 6:30pm. I was both excited and curious if my prosumer cameras would be up to the task of covering such an event. I always have a camera with me everyday and that day I had 2 Sony prosumers...the F717 and the R1. I have covered events before with the R1 but it was not a commercial shoot or something to be submitted to a publication... it was more like for my mom's group photos. I also had the Sunpak 383 super flash unit... so off I went to the event as I got off work.

The F717 has a very good lens...with a large opening of f2 at the wide end and f2.4 at the lond end..and has good ISO capabilities up to 400ISO. The Sony R1 has dslr-like ISO capabilities with the large APS-C size sensor..and I have used it before in this situation but not anything this serious. At the mercy of the event venue...lighting is always very challenging...even at 800ISO I was barely getting any photos... and I didn't want to use flash because it will change the mood of the images. So I shot at 800ISO all night with the f717...and converted them to b&w...I love grain in the photos, specially for people photography because it just gives that film look. My co photographers were just staring at me with my choice of gear...but hey lets just start creating photos instead of worrying about gear. I can't blame them because one of them has a Nikon D3 with him and others with Nikon D300 and Canon 40D. Some even discretely asked..."thats all you're using??" and "this is for a publication ... right???"...and I said YES SIR this is all I am using and its for this newspaper.

Off we went with the shoot and indeed it was very challenging to say the least... but it was so much fun proving a point. The cameras has a very bad flaw... it is so dim on the viewfinder if I use my flash unit. I still produced a lot of images for publication...and that's the most important thing. The flash use was more challenging but a lot of it boils down to practice and knowing the next move. Anticipation is a good technique even dslr shooters should master. It was just quadrupled the challenge for me since most of them with dslrs shoot fast with 3-5frames a second and I was just shooting one frame at a time...lol.

Will I do another paid events shoot with a prosumer camera.... probably not... but if I wasn't a professional covering these for publications I wouldn't mind at all. The casual events shooting without a client expecting the ultimate best from you...a very good prosumer is all you need. With a cheque in hand and a client breathing down your neck if your photos just don't cut it...please think differently. Publications are very picky and they hired you for your expertise... they really don't care what gear you use..think Alex Majoli's Iraq work with the Olympus C5050. Dslr's just make the job easier and as a pro you might need this for work consistency.

I love my prosumers...but they have their own place and time to be used, mostly for walk around landscape work...or outdoor portraits. They are amazing cameras if used wisely.

Here's some of my images from that night.





Monday, April 12, 2010

Sony V3-portrait session

These are some photos from my Sony DSC-V3.... from my portfolio album Heather 4-11-10.

My main gear was my Olympus E3 with the Zuiko 14-54mm f2.8-3.5 and the Olympus E330 with the Zuiko 50mm f2 macro. I brought the V3 to put it against some of my actual pro set-up... and it actually did an amazing job... didn't use it much on the indoor part of the shoot. I was just using ambient lighting so the dslrs can certainly blow the V3 in high ISO work. Pushing a gear to its' limits don't really give you amazing images...using it wisely can. The V3 is a very capable camera for strobing or bright sunny day settings...but the one thing a small sensor camera can have a little problem is background blurring. I achieved the background blur through playing with Photoshop Elements 4... gaussian blur and spiral blur...

Die hard dslr shooters will be whispering to each other... "it can never be good enough...after all its a small sensor camera". In a nutshell... No its not as good...but considering the fact that it fits on my spring jacket pocket...and if I use it within it's capabilities, it's an amazing camera. And if I wasn't a professional photographer .. I wouldn't hesitate to just have the Sony V3 or any high end prosumers. It all boils down to the actual use... sure the V3 can deliver magazine editorial quality images but one thing is that it depends on the actual details of the shoot... in bright conditions or in studio... it would be faultless but don't expect high ISO ambient light to look stellar, it does have grain and publishing it on high gloss can really have a nasty effect... I was shooting the E3 at 1000ISO indoors with an f4 aperture.

With the Sony V3 at its' base ISO80, it is very...very clean...even up to 200ISO it is still quite good, 400ISO shows grain but still very highly detailed... the 800ISO is useable and looks amazing as black and white. For professional use... it can be a good tool for times when you want to be discrete..ex: street photography or even for fine art photography..as long as you use it wisely it more than a competent camera. Any of the photos on this post can be enlarged to 16x20inches without any issues(I did a test strip)... and at 18x24inches it is still looks amazing...and has the potential of going even up to a 36x24inches with some careful print preparation.

The V3 was a fun camera while my dslrs were still inside my backpack...so here's some of the photos from the V3.


Sony DSC-V3-amazing camera...fun to use.